Proactive Passing System

This passing system primarily focuses on what I regard as a proactive approach, meaning that the Guard Passer has imposed the system onto the Guard Player and achieved positions that are heavily in their favour. 

Passing Positions Vs Guard Positions

When passing the guard the general aim is to achieve a positional advantage that will allow the Guard Passer to bypass the lower and upper frames of the opponent and gain control of the torso and head. Passing Positions are those that possess a structural advantage in favour of the Guard Passer. These are positions in which the Guard Player is unable to apply any of the tools (DLR, Underhooks, Inside Hooks etc) in which they need to progress or the alignment in which to make these tools effective. Guard Positions on the other hand are those in which the Guard Player has achieved one or more of these tools and has sufficient alignment to use them to off-balance the Guard Passer and create sweep or submission opportunities. 

Proactive Passing System – The guard passer has been able to dictate the initial engagements and establish a strong functional Passing Position.

Reactive Passing System – The guard player has been able to dictate the initial engagements and establish a strong functional Guard Position

Long Range Passing 

Long range passing is characterised by the Guard Passer’s hip and shoulder lines being at a distance from that of the Guard Player until the completion phase of the pass. They will involve passing the line of the feet and the knees in one motion and usually establishing control of the hip line. 

A lot of these forms of pass are aimed at creating an opening to establish a Mid or Close Range passing position.  

Mid Range Passing

Mid Range passing is defined by the Guard Passer having their hip line in close proximity to their opponents but a distance between their shoulder lines. The Mid Range is predominantly used as a launch pad for close range passes. Many passes will start in the Mid Range but will switch to Close Range as the pass nears completion. This can be seen frequently when the Guard Passer uses a Mid Range Knee Pin Position in order to establish shoulder line control with a far side underhook to complete a Knee Slice Pass. 

A significant amount of time is spent in the Mid Range Passing Positions, and a solid understanding of the four core positions and how they are linked is essential. 

Close Range Passing 

Close Range Passing is defined as the Guard Passer having their shoulder line in contact with their opponent mid or shoulder line. This can be achieved with their hip line being near or far from their opponents. This style of passing frequently involves collapsing or displacing the Guard Players frames with pressure. The gold standard for these passes involves gaining control of the opponents shoulder line with head and arm control using either a near of far side underhook.  

The Close Range Passing component can be further subdivided into Entry Range and Passing Range. Entry Range is characterised by the Guard Passer being relatively low on their opponent, with their shoulder line parallel with the Guard Players Hip Line, and the Guard player having some form of frame obstructing the Passers hip line, usually and Inside Hook. This range is used to clear the opponents knee line in order for the passer to progress their hip line forward. 

Long Range Passing

Long Range
Shoulder and Knee Outside Step
Head and Wrist Outside Step
Low X Pass
Low X Pass 2
Low X Pass to Back
Rolling Kimuras from Seated Guards

Mid Range Passing

Entering Mid Range and Concepts
Guard Positions Vs Passing Positions
Low X to Headquarters
Low X to Knee Pin
Half Guard to Knee Pin or Headquarters
Clearing DLR Hook to Passing Positions
Clearing RDLR Hook to Passing Positions

Knee Pin
Knee Pin to Knee Slice
Knee Pin to Hip Lock Knee Slice
Clearing the Knee Shield 
Failed Knee Slice to Hip Ride
Knee Pin to Shin Slice
Knee Pin to Cross Knee Slice
Darce Attack from Shallow Underhook
Japanese Necktie from Shallow Underhook

Inside Frame Displacement
Inside Frame Displacement to Head & Arm Attacks to Back 
Outside Frame Displacement
Outside Frame Displacement to Kimura System to Back
Hip Ride
Hip Ride to Knee Slice
Hip Ride to Hip Lock Knee Slice
Hip Ride to Kimura System
Entry: Shoulder/Knee Outside Step Entry
Back Take
Headquarters
Headquarters to Side Smash 
Headquarters to Side Smash – Additional Details
Side Smash to Cross Pummel Pass 
Side Smash to Leg Weave 
Smash Weave to Leg Weave 
Leg Weave to Mount 
Smash Weave to Longstep 
Stapled Headquarters
Half Butterfly to Stapled Headquarters 
Stapled Headquarters – Knee Push to 3/4 Mount 
Stapled Headquarters – Head & Arm Attacks 
Stapled Headquarters – Top Footlock 
Elevated Headquarters (Float Passing)
Elevated Headquarters 
Low Pummel to 3/4 Mount
Low Pummel to Switch Pass (Gordon Ryan Pass)
Low Pummel to Cross Knee Slice
Low Pummel to Knee Slice
Low Pummel to Hip Ride
High Pummel 
Knee Pummel
Cross Pummel

Close Range Passing

Setting Up Control & Concepts
Flattening Butterfly (Bilateral) – Setting Up Passes 
Body Lock – Concepts, Grips, and Positioning
Forcing Butterfly Guard from Engagement
Forcing Butterfly Guard from Engagement – Guard Players Error
Moving from Butterfly to Mid Range Passing Positions

 

Entry Range (Hip Line & Knee Line)
Closed Body Lock
Hook Sprawl to Far Side Underhook Passes 
Hook Sprawl to Far Side Underhook Passes 2
Headquarters to Closed Body Lock
Mid Line Tripod Passing
Open Body Lock
Flattening Butterfly and Tripoding to Underhook Passing

Hip Lock
Creating an Overloaded Hook
Hip Switch Pass on an Overloaded Hook
Creating Back Exposure from Hip Switch Pass
Passing Range (Mid Line & Shoulder Line)
Nearside Underhook to Cross Knee Slice
Nearside Underhook to Mount
Tripod Underhook – Passing Double Inside Hooks: Positioning and Base
Tripod Underhook – Passing Double Inside Hooks: Switch Pass to Back
Tripod Underhook – Passing Double Inside Hooks: Inside Pummel to Pummel Passes and Knee Slices 
Dealing with Butterfly with Two Underhooks – Pummelling 
Dealing with Butterfly with Two Underhooks – Hip Switch